We Need More Poetry. This is Mark Doty.

Magical Mark Doty at Frank O'Hara's Grave

Once upon a sad and strange time, Mark Doty got a new dog for his dying partner. This poem rents my heart and is utterly divine. Buy a book of his poems. You need it.

The Famous Beau with Arden in 1996

"New Dog"

Jimi and Tony
can't keep Dino,
their cocker spaniel;
Tony's too sick,
the daily walks
more pressure
than pleasure,
one more obligation
that can't be met.

And though we already
have a dog, Wally
wants to adopt,
wants something small
and golden to sleep
next to him and
lick his face.
He's paralyzed now
from the waist down,

whatever's ruining him
moving upward, and
we don't know
how much longer
he'll be able to pet
a dog. How many men
want another attachment,
just as they're
leaving the world?

Wally sits up nights
and says, I'd like
some lizards, a talking bird,
some fish. A little rat.

So after I drive
to Jimi and Tony's
in the Village and they
meet me at the door and say,
We can't go through with it,

we can't give up our dog,
I drive to the shelter
-- just to look -- and there
is Beau: bounding and
practically boundless,
one brass concatenation
of tongue and tail,
unmediated energy,
too big, wild,

perfect. He not only
licks Wally's face
but bathes every
irreplaceable inch
of his head, and though
Wally can no longer
feed himself he can lift
his hand, and bring it
to rest on the rough gilt

flanks when they are,
for a moment, still.
I have never seen a touch
so deliberate.
It isn't about grasping;
the hand itself seems
almost blurred now,
softened, though
tentative only

because so much will
must be summoned,
such attention brought
to the work -- which is all
he is now, this gesture
toward the restless splendor,
the unruly, the golden,
the animal, the new.

With Ned, The New Dog

"Beau: Golden Retrievals"

Fetch? Balls and sticks capture my attention
seconds at a time. Catch? I don't think so.
Bunny, tumbling leaf, a squirrel who's—oh
joy—actually scared. Sniff the wind, then

I'm off again, muck, pond, ditch, residue
of any thrillingly dead thing. And you?
Either you're sunk in the past, half our walk,
thinking of what you never can bring back,

or else you're off in some fog concerning
—tomorrow, is that what you call it? My work:
to unsnare time's warp (and woof), retrieving,
my haze-headed friend, you. This shining bark,

a Zen master's bronzy gong, calls you here,
entirely, now: bow-wow, bow-wow, bow-wow.

(All Images from Mark Doty's site). The last poem's my favorite.